"Whatever you do, don’t leave your kids."

In Tehran, 1979, when she’s had enough of violent protests and unreliable infrastructure, an Iranian mom decides to take her two children out of the country. This biographical novel begins with the decisive moment and fills in the precipitating events from 1972. Raised mostly by her father and stepmother, Vida’s upbringing is more progressive and cosmopolitan than many Iranian women. When her husband dies, she supports her family with a prestigious position as head of the library at the American embassy. However, she discovers that her husband has other plans in mind when he gives his brother authority over her and the kids.

Focusing on Vida’s conflicts with her brother-in-law, the book brings home the personal consequences of Iranian laws limiting a widow’s right to head her family in the 1970s. The book details, in chronological order, several blows to Vida’s autonomy, as well as the support to combat them that she receives from colleagues, professionals, and friends. Although the feelings of resentment, sadness, and gratitude she experiences are universal, the writing incorporates unique Iranian cultural norms, such as vocabulary and customs. Some of these are cast in a negative light, like when Vida is snubbed at an Iranian wedding ceremony, and her son is upset by a traditional celebration for his recovered health. In contrast, an Iranian charm necklace Vida’s stepmother gives her becomes a talisman of what she cherishes about her homeland.

The novel both exposes detrimental practices as well as dignifies the women who endure them. Emotions run high in every chapter. The writing is feverish, with a swift pace to match. However, the book ends on a happy, calm note. Vida’s journey serves as an inspiration to all women facing similar struggles, leaving the reader with a sense of hope and empowerment.

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