Soothing to the soul, the author’s translation of the Bible's book of Psalms injects a transcendental tone while staying resolute to the Word. Adapted for the modern reader, Giron’s work is melodious and relatable as it cuts free of the violence and charged language from the original text and sheds light on what is most inspiring from the work. At all times, Giron’s adaptation maintains the integrity of the Psalms, making it a unique read for the layman.

By employing free verse and catering to all backgrounds of spirituality, Giron’s work effectively dives into the essence of walking in the path of the Lord, in his light. From the opening psalm, the author strikes an inclusive note, stating that he who accepts all and condemns none is truly blessed. The language of the Lord, he notes, is love and peace, and those who operate from this standpoint and revere all of nature’s beings are certain to prosper. The cadence and rhythm of each selection, along with its Spanish translation right alongside it, exude harmony and interconnectedness. For those who do read Spanish, the Canciones are a must, but even for those who don’t understand their meaning, simply uttering them aloud phonetically has a calming aura about them.

In a number of the songs, man, the speaker, is pleading to the Lord “For Divine Protection” and hearing the cries and prayers as his meditation and penance. As the compilation progresses, Giron’s command of poetic language is on full display, with alliterative phrases imbued with similes, metaphors, and imagery that bring the piece to life. Then, the songs probe deeper with questions that pierce the soul and that are directly asking the Lord how bad things can happen to good people. From “How is it that / the strong / persecute the / weak?” to “The Foolish,” where the speaker implores God that he is nowhere to be found, although there is a sea of darkness enveloping humanity, Giron explores the depth of faith’s light juxtaposed with all the bad of the material world.

Throughout the work, Giron does an exemplary job of using images to convey tone. For instance, the vision of smoke and fire from the “Arrows of lightning / shot out from which we / ran” is meant to show not only the consequences of man’s folly and not ascending but also the majesty of God and nature. In other songs, protection and forgiveness are sought while deriding false speech and providing commentary on the fleeting nature of life: “Another generation will / pass and soon another / will come and go.” Nevertheless, be it earthquakes or hurricanes, cyclones or tornadoes, the devout will not be shaken by the hands of the hypocrite because the Word is their confidence, their direct link to the Lord. Though the work is distinctly unique, it still does justice to the same content present in the Psalms, like mankind’s fall from Paradise. Giron’s efforts come across with grace and clarity, reading like prayers winging their way directly into the heavens.

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